I thought that it might be fun and different to try copying a proper oil painting. I was blown away by the Beaver Hall Group show at the Montreal Museum of Fine Arts a little while back, so I opted for a classic 1920’s portrait by one of my favourite painters from that group, Lilias Torrance Newton.
Here she is, folks: my final (finished) painting for the “30 Paintings in 30 Days” challenge! I don’t know if I can really call them daily paintings anymore, though, because I’m taking longer and longer to finish them, but I digress…
Some notes about this specific painting:
- painting albino skin tones is NOT an easy feat. If you’re up for the challenge, proceed with caution! 😉
- I finally realized with this painting that it’s in my best interest to add another coat or two of gesso (with some light sanding in between) to my pre-gessoed canvasses. The basic Omer Deserres canvasses are fine, but these small Apollon ones would pill here and there and leave tiny bits of matter in the paint.
Things I’ve learned about oil painting in general thanks to this painting:
- I really should use more paint.
Next time: A complete rundown of the pros and cons of doing this daily painting challenge – what I learned, where I stumbled, how often I asked myself “why the frig am I doing this?”, etc! Stay tuned…
I always lose steam by the end of the week, so today’s painting for the 30 in 30 challenge might be a little late…
On the plus side, I might have figured out the best working method for me:
- Apply acrylics for the base “flats”, smooth where possible
- Paint the eyes and other fine details in acrylics ONLY
- Paint over only certain areas in water-soluble oils as needed.
And that way, I’ll get my nice, smooth surfaces, and my fine detail, and not want to tear my hair out! 😉
In case you were wondering, this painting is 90% acrylic. I only painted over in oils parts of her nose, lips, ear, and the lower part of her cheek.
I must be moving up in the world because I’ve graduated from canvas boards/panels to actual stretched canvases!
This one looks better as a .jpeg than it does as a painting, for some reason. I can’t say I’m incredibly happy with it, and that’s mostly because I think I started to treat the oil paint like watercolour*. I was so focused on keeping the skin pale – knowing that if I made it too dark I wouldn’t be able to fix it later, because, y’know, OILS – that I may have made this painting a little linseed-heavy. Consequently, I had tremendous trouble painting her eyes, eyelids, and eyelashes. Her hair is the only part of her which is actual meaty PAINT.
And ok, I may have exaggerated her wall-eyes.
Tomorrow: back to acrylics!
*Speaking of watercolours, I keep wondering if I should give them a go. I’m at the halfway point in the “30 in 30” challenge, and quite frankly, I’m getting a little bored**, and may need to change things up a bit.
**But honestly, how much novelty was I expecting when I decided to paint women’s faces for 30 days? Three eyes? A nose growing out the top of her forehead??